I haven't written any poems for quite a while, resting after the intensity of the OU course in Creative Writing, and this year's Napowrimo which seemed to have sucked me dry. But this morning a painting of Acker Bilk by my friend Jocelyn Gilfoyle prompted a memory of my Dad, which needed to be recorded. He had a great love of instrumental music especially brass bands, which were unappealing to me as a child - after the first few tracks I'd usually had enough. But I loved the novelty of him coaxing music out of his cornet, just by pursing his lips and blowing, It only came out at Christmas, The scuffed black case with its puffy silk lining, The tarnished brass cornet nestled safe inside. Each year his girls would ask him to play His party piece at the family gathering, Amazed that his puckered lips could draw Sweet notes from this unassuming instrument. He'd always start with an apology for being rusty, But once the first few wavering notes were tested...
I'm beginning to question everything I write! The latest dictat is 'Show, don't tell.' Put enough detail in to make it vivid, but leave out details you don't need. How much is enough? How much, too much? Our assignment is to write about a location, and place a character there, who may know the place well, or not at all. So here's one about a scary evening walk when I was on holiday with my Scottish relatives when I was a child. I've never liked walking in the dark, even as an adult. The darkness between the Scots pines bleeds onto the needle covered path, monochromed by moonlight. "Let's take a left then right, left then right, see where it takes us." My uncle and older sister are in on the joke, are fearless in the absence of daylight. I follow them, gullible, trusting. A long way from home, we'd made our way from the s...
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